WE observe THEATER AS A LOGICAL SEQUENTIAL PROCESS, TEHATER EVOLVES THROUGH CONFLICT IN SPACE AND TIME. Set designer's task is to express this conflict in a scenographic shape applying the theatrical element which comprise mass ,light, costume, objects. THIS IS OUR VIEW OF THEATER , WE CO INCIDENTALLY HAPPEN TO SHARE OUR VIEW of THEATER WITH KESHK , WE THEN HAVE TO FIND A SUITABLE LOGO TO EMBODY THAT VISION ,WE SEARCHED INTO ARABIC kufi Calligraphy which is characterized by its square shape, it is a suitable imitation of theater shape , within this square shape ,mass equals space, we think that kishk now owns a visual identity which equal the technical identity of a theater set designer .