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A prison .

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  • Oscar B. Castillo, a documentary photographer, had extraordinary access to Venezuela's PGV prison during an extended period when it was controlled by inmates.
  • This photo essay was adapted from Castillo's book about the Free Convict hip-hop collective. The book, "Esos Que Saben," was published this month. 

One of Venezuela's hottest venues for musicians and sports stars was, for part of the last decade, a maximum-security prison run by its own inmates. 

"Party at the PGV tonight," local DJs would announce over the radio. Visitors would come from the nearby towns, or all the way from the capital, Caracas, 100 miles away. 

The PGV, or the General Penitentiary of Venezuela, was a place where inmates mostly roamed freely. The cell blocks had been torn out and there was no "behind bars." But there was also a rigid, if convoluted, code of conduct that was maintained by gangs and an arsenal of heavy weapons. Infractions were met with brutal punishments.

Visitors were considered sacred, and off-limits. The PGV was at its best on Visitors' Days — which could run for weeks since there wasn't a formal limit.  

Christmas, Mother's Day, or the birthdays of gang leaders who ran the place were always a good excuse to put on concerts, or bring in bouncy castles, clowns, and hot dog carts for visiting kids. As night fell, DJs would be brought in to perform in the penitentiary's central square with electronic music, laser shows, and fireworks. 

Caracas

One day in 2020 — six years after I began documenting Free Convict at the PGV — I went to a recording studio in Caracas to meet up with the collective. Nearly all of them had been released, and they were trying to keep Free Convict's work alive from the outside. 

Free in Caracas, there was still so much to navigate. The immediate problem was Héctor. 

His family hadn't heard from him in three days. At first, the police said they had no record of him being arrested. Now, thanks to pressure from his family, they were saying he had been arrested, and would be released soon. We predicted he'd come to the studio directly, and were waiting for him there. 

When he finally arrived, fear, rage, and frustration filled his eyes. He told us that he had been in his neighborhood with his cousin, known as "The Cat," when police arrived and shot his cousin dead. They'd then arrested Héctor, who now told us he'd been spared only thanks to a divine intervention.

We couldn't confirm Héctor's story, but there were plenty of others like it. Later that year, the United Nations would call on President Nicolas Maduro to disband various police units that had been behind extrajudicial killings and "crimes against humanity."

It was possible that Héctor had actually been spared because, since his release, he'd become relatively well-known both for his work with Free Convict and for his anti-violence and community-building work in prisons, schools, and other areas affected by violence and exclusion.


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  • Oscar B. Castillo, a documentary photographer, had extraordinary access to Venezuela's PGV prison during an extended period when it was controlled by inmates.
  • This photo essay was adapted from Castillo's book about the Free Convict hip-hop collective. The book, "Esos Que Saben," was published this month. 

One of Venezuela's hottest venues for musicians and sports stars was, for part of the last decade, a maximum-security prison run by its own inmates. 

"Party at the PGV tonight," local DJs would announce over the radio. Visitors would come from the nearby towns, or all the way from the capital, Caracas, 100 miles away. 

The PGV, or the General Penitentiary of Venezuela, was a place where inmates mostly roamed freely. The cell blocks had been torn out and there was no "behind bars." But there was also a rigid, if convoluted, code of conduct that was maintained by gangs and an arsenal of heavy weapons. Infractions were met with brutal punishments.

Visitors were considered sacred, and off-limits. The PGV was at its best on Visitors' Days — which could run for weeks since there wasn't a formal limit.  

Christmas, Mother's Day, or the birthdays of gang leaders who ran the place were always a good excuse to put on concerts, or bring in bouncy castles, clowns, and hot dog carts for visiting kids. As night fell, DJs would be brought in to perform in the penitentiary's central square with electronic music, laser shows, and fireworks. 

Caracas

One day in 2020 — six years after I began documenting Free Convict at the PGV — I went to a recording studio in Caracas to meet up with the collective. Nearly all of them had been released, and they were trying to keep Free Convict's work alive from the outside. 

Free in Caracas, there was still so much to navigate. The immediate problem was Héctor. 

His family hadn't heard from him in three days. At first, the police said they had no record of him being arrested. Now, thanks to pressure from his family, they were saying he had been arrested, and would be released soon. We predicted he'd come to the studio directly, and were waiting for him there. 

When he finally arrived, fear, rage, and frustration filled his eyes. He told us that he had been in his neighborhood with his cousin, known as "The Cat," when police arrived and shot his cousin dead. They'd then arrested Héctor, who now told us he'd been spared only thanks to a divine intervention.

We couldn't confirm Héctor's story, but there were plenty of others like it. Later that year, the United Nations would call on President Nicolas Maduro to disband various police units that had been behind extrajudicial killings and "crimes against humanity."

It was possible that Héctor had actually been spared because, since his release, he'd become relatively well-known both for his work with Free Convict and for his anti-violence and community-building work in prisons, schools, and other areas affected by violence and exclusion.


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