1. Have your audience lean into the warm breeze or smack them in the face with the words of a writer who is stylistically flexible. Blurbs and character audits and commentary to fixing broken novels. 2. Editing should always be in three passes. One holistic read, one technical or grammatical read, and one content read. I favor suggesting alternate sentence structures and remembering that sometimes those dangling participles hang pretty in the metaphorical breeze. Dialogue should feel real, right? 3. Occasionally, I can be convinced to submit png's for clarity, if you have issues with English as a second language or just want to see how someone imagined your character.